ASPCA Cat Of The Year
via aspca.org

"A U.S. animal rights group says its push for changes in animal testing has resulted in adoption of more modern, humane methods of vaccine testing. The organization People for the Ethical Treatment of Animals said it had been urging the U.S. Department of Agriculture's Center for Veterinary Biologics to adopt non-animal methods to test the potency of each batch of a vaccine.
PETA officials said the center announced three of the tests involving pigs have been replaced with modern non-animal methods. PETA said center officials have also announced they are moving to convert antibody production from an intensely painful method in mice to a humane and reliable system based on cell cultures.
"By mandating modern, effective, and humane testing methods,
the USDA will not only reduce the number of animals who are harmed and killed in tests, but also improve vaccine testing," Jessica Sandler, director of PETA's Regulatory Testing Division, said. "The USDA is on the right track, and we look forward to a productive partnership to further replace the use
of animals.""
via upi.com
Progress is being made, but there's a long way to go -- innumerable animals still being tortured. Let's keep the pressure on.
"My crown is in my heart, not on my head,
Nor decked with diamonds and Indian stones,
Nor to be seen: My crown is called content:
A crown it is, that seldom kings enjoy."
__William Shakespeare
Nine Of Coins, Tarot Of The Saints
"Neither the hot film Paranormal Activity nor TV's popular Ghost Hunters can compete with Miami-Dade's historic Deering Estate at Cutler. Ghost trackers investigating paranormal activity on the site say they recently found more than 60 disembodied voices coming from the county-owned estate -- once the home of wealthy industrialist Charles Deering, of International Harvester fame. One voice captured on a digital recorder seems to say, 'we're trapped here'. Don't believe it? The Deering Estate is opening its doors to the public Thursday evening for its first-ever Ghost Story Tour. And two days before Halloween, the Palmetto Bay site will allow ghost hunters to bring in their own equipment -- aura cameras, pendulums, EVP recorders -- to snoop around. Investigators say they found two 'full-body apparitions' on the grounds of the estate at 16701 SW 72nd Ave., in Palmetto Bay. The images were of translucent human forms, a male and female, by the boat basin on Biscayne Bay -- with photographic evidence for naysayers to ponder. "This is what we consider the holy grail in paranormal investigation -- a full-body apparition is not a common finding at all,'' said Colleen Kelley, from the Coconut Grove-based League of Paranormal Investigators (LPI), which spent two days on the estate in August. Even seasoned ghost tracker Atena Komar pronounced it 'severely haunted'. Deering scored a 58 on LPI's point scale, which assigns a value to digital recordings, photographs and eyewitness accounts in determining whether a space has spirits. Any figure 30 and above suggests haunted. LPI had never recorded higher than a 29. "Any ghost hunting group may have one in all of their collection in all of their years of doing it,'' said Kelley, artist by day, ghost hunter by night. "We had two.'' The 444-acre Deering Estate once was the domain of Paleo-Indians, North America's earliest human inhabitants, who lived more than 12,000 years ago. Charles Deering built the two main houses -- the 1896 Richmond Cottage, the last surviving structure of the town of Cutler, and the 1922 Stone House -- as his retreat. He died there in 1927. His heirs owned the home until 1985, when Miami-Dade and the state of Florida jointly purchased it and turned it into a historic site. Over the years, staffers spoke of hearing noises and witnessing odd occurrences, such as elevators moving on their own. In August, estate administrators commissioned an investigation. Jennifer Tisthammer, the estate's deputy director, says there are places on the grounds where she'd have a sense of foreboding, and other places where she'd feel happy. ``I've been on this estate for three years,'' she said. LPI's paranormal search validated her own feelings, she said. Psychics picked up on the presence of a young woman wandering about the boat basin. They felt she was frantically searching for someone to save from drowning. The Miami Herald reported in a November 1916 article that an explosion on the estate killed five Bahamian workers dredging the channel ..." Full story via miamiherald.com
"Pokaini forest is located not far from Riga, Latvia. In 1996 Ivar Viks, a scientist from Riga, told journalists about strange meteorological anomalies and mysterious features of local rocks. This information brought up multiple discussions. It turned out that there were many other mysterious things happening there that could only be explained by supernatural.
Soon after Vicks’s conversation with the journalists, he passed away from an unknown disease. Yevgeny Sidorov, another Latvian scientist, continued the research. He found out that Pokaini forest was a place of pilgrimage for many tourists attracted by rumors about healing power of this place.
The place is indeed, mysterious. The terrain is hilly, there are exactly 30 hills. Oaks have foliage on one side only. The rocks, however, are the main mystery. No one can tell where they came from. The most popular legend says that the rocks were brought by pilgrims who used to come from all over Europe as a symbol of liberation from sins.
In old times Pokainski forest was considered an unusual, sacred place. Many legends are connected with it. They say that it was a meeting place of thirty druids, where each druid controlled the weather from his own hill. Local residents say that the weather here is always beautiful. Even if it rains or snows in the vicinity, the forest is always sunny. The researchers confirm this observation.
Another legend says that some strange object is hidden under one of the rocks. Some say it is a radioactive meteorite; some are convinced it is an ancient tomb. The rocks on the hill called Zikkurat face the four parts of the world. It looks like the rocks used to serve as a compass.
Archeologists who conducted excavations have not found any burials. Yanis Graudonis, a local historian, believes the theory about sacredness of the forest to be utter nonsense, and that the rocks were brought by peasants who removed them from their fields. Another theory says that the rocks were brought to Pokaini for construction of a castle that was never built. However, there is no evidence to these theories.
The “sacred” theory, however, has plenty of evidence. The first one is a temperature anomaly. Many rocks are warm to touch and have healing abilities. Some rocks cure joint diseases, some cure osteochondrosis, and other cure gynecological diseases. There are also “dangerous” rocks that cause negative consequences if touched. Sometimes tourists would take a rock with them and later regret as they would become victims of diseases or even accidents.
Another anomaly is on a meadow, under an old pine tree. The temperature at this spot is always higher than that of the environment. The warmth spreads all over the body from under the ground heating people even in the coldest weather ..."
Full story via pravda.ru
To me, Pokaini forest looks like an enchanted place conjured by
Arthur Rackham's imagination.
I'd so much love to go there.
"Fortune! There is no fortune;
all is trial, or punishment, or recompense, or foresight."
__Voltaire
Turnips may be harder to carve, but the end result is surpassingly eldritch, IMO.
"Compassion, in which all ethics must take root, can only attain its full breadth and depth if it embraces all living creatures and does not limit itself
to mankind."
__Albert Schweitzer
Burnt Norton by T.S. Eliot I Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow? Quick, said the bird, find them, find them, Round the corner. Through the first gate, Into our first world, shall we follow The deception of the thrush? Into our first world. There they were, dignified, invisible, Moving without pressure, over the dead leaves, In the autumn heat, through the vibrant air, And the bird called, in response to The unheard music hidden in the shrubbery, And the unseen eyebeam crossed, for the roses Had the look of flowers that are looked at. There they were as our guests, accepted and accepting. So we moved, and they, in a formal pattern, Along the empty alley, into the box circle, To look down into the drained pool. Dry the pool, dry concrete, brown edged, And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present. II Garlic and sapphires in the mud Clot the bedded axle-tree. The thrilling wire in the blood Sings below inveterate scars Appeasing long forgotten wars. The dance along the artery The circulation of the lymph Are figured in the drift of stars Ascend to summer in the tree We move above the moving tree In light upon the figured leaf And hear upon the sodden floor Below, the boarhound and the boar Pursue their pattern as before But reconciled among the stars. At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance. I can only say, there we have been: but I cannot say where. And I cannot say, how long, for that is to place it in time. The inner freedom from the practical desire, The release from action and suffering, release from the inner And the outer compulsion, yet surrounded By a grace of sense, a white light still and moving, Erhebung without motion, concentration Without elimination, both a new world And the old made explicit, understood In the completion of its partial ecstasy, The resolution of its partial horror. Yet the enchainment of past and future Woven in the weakness of the changing body, Protects mankind from heaven and damnation Which flesh cannot endure. Time past and time future Allow but a little consciousness. To be conscious is not to be in time But only in time can the moment in the rose-garden, The moment in the arbour where the rain beat, The moment in the draughty church at smokefall Be remembered; involved with past and future. Only through time time is conquered. III Here is a place of disaffection Time before and time after In a dim light: neither daylight Investing form with lucid stillness Turning shadow into transient beauty Wtih slow rotation suggesting permanence Nor darkness to purify the soul Emptying the sensual with deprivation Cleansing affection from the temporal. Neither plentitude nor vacancy. Only a flicker Over the strained time-ridden faces Distracted from distraction by distraction Filled with fancies and empty of meaning Tumid apathy with no concentration Men and bits of paper, whirled by the cold wind That blows before and after time, Wind in and out of unwholesome lungs Time before and time after. Eructation of unhealthy souls Into the faded air, the torpid Driven on the wind that sweeps the gloomy hills of London, Hampstead and Clerkenwell, Campden and Putney, Highgate, Primrose and Ludgate. Not here Not here the darkness, in this twittering world. Descend lower, descend only Into the world of perpetual solitude, World not world, but that which is not world, Internal darkness, deprivation And destitution of all property, Dessication of the world of sense, Evacuation of the world of fancy, Inoperancy of the world of spirit; This is the one way, and the other Is the same, not in movement But abstention from movememnt; while the world moves In appetency, on its metalled ways Of time past and time future. IV Time and the bell have buried the day, the black cloud carries the sun away. Will the sunflower turn to us, will the clematis Stray down, bend to us; tendril and spray Clutch and cling? Chill Fingers of yew be curled Down on us? After the kingfisher's wing Has answered light to light, and is silent, the light is still At the still point of the turning world. V Words move, music moves Only in time; but that which is only living Can only die. Words, after speech, reach Into the silence. Only by the form, the pattern, Can words or music reach The stillness, as a Chinese jar still Moves perpetually in its stillness. Not the stillness of the violin, while the note lasts, Not that only, but the co-existence, Or say that the end precedes the beginning, And the end and the beginning were always there Before the beginning and after the end. And all is always now. Words strain, Crack and sometimes break, under the burden, Under the tension, slip, slide, perish, Will not stay still. Shrieking voices Scolding, mocking, or merely chattering, Always assail them. The Word in the desert Is most attacked by voices of temptation, The crying shadow in the funeral dance, The loud lament of the disconsolate chimera. The detail of the pattern is movement, As in the figure of the ten stairs. Desire itself is movement Not in itself desirable; Love is itself unmoving, Only the cause and end of movement, Timeless, and undesiring Except in the aspect of time Caught in the form of limitation Between un-being and being. Sudden in a shaft of sunlight Even while the dust moves There rises the hidden laughter Of children in the foliage Quick now, here, now, always- Ridiculous the waste sad time Stretching before and after.